Music And Suggestibility
Okay: suppose - just for argument's sake - that the music people listen to and revel in can and does put them into hypnosis. What are the implications of that?
After all, I must qualify the above right away. Once I use the word "hypnosis" in this context I do not imply the type of passive and relaxed state which one experiences below the guidance of a hypnotherapist. What I'm referring to is simply the type of shift in the high quality of consciousness which occurs when you're absorbed in the music you want - whether you are gyrating on a dance floor, amid flashing lights and ear-splitting din, or sitting quietly mesmerised by a Chopin nocturne. I imagine that any such shift of consciousness renders us more suggestible.
I additionally must state the obvious. We aren't puppets or computers. No matter state of consciousness we occur to be in we do not reply instantly, absolutely and positively to every suggestion we encounter. And but, in hypnoidal states of consciousness, we're more suggestible than in "normal" waking consciousness. So - to restate the opening query, if music puts us right into a hypnoidal state, what are the probably consequences?
Once more, to state the obvious, it is dependent upon what kind of music you are listening to, and why. What kind of music do folks listen to as we speak? All sorts. There is an audience for jazz, people, classical, and so on. But - and I do know this is a sweeping generalization - nearly all of individuals, particularly youthful individuals, listen to what sells, to what's in fashion.
Absolutely everyone on Britain who lived by means of the 60s, 70s and 80s will keep in mind High of the Pops on television and Alan Freeman's chart countdown show on the radio. In these days, nearly everybody oknew - or at the very least had a tough thought - which tune was at Number One.
Are you aware which tune is at Number One at this moment? Me neither. However I believed I'd have a fast have a look at the Prime three as a sign of what a considerable proportion of the population, if not the bulk, are listening to on the moment. This would also give me some thought of what solutions are being communicated by way of music.
Well - I had a rummage around on-line and it appears that evidently at the time of writing - April 30th 2012 - the song at Number One is: "Call Me Maybe" by Carly Rae Jepsen. Each song and singer are unknown to me. The tune, with its accompanying video, was easy to seek out online.
The singer is a thin but pretty younger lady who appears to be like as if she is aged about 16 or 17. Presumably she is older. The tune tells a quite simple story. Our heroine throws a wish right into a well and, presumably as a consequence, falls in lust with someone wearing ripped jeans. The accompanying video makes it clear that this person is a young man. The lyrics say nothing about him. She offers him her phone number and asks him to call her. Original, isn't it? The singer's voice is, like her appearance, thin and immature, with that pale, adenoidal high quality which seems to be in fashion on the moment. The melodic line is of nursery-rhyme simplicity. The accompanying music consists largely of artificial string chords and percussion. There is nothing here that we haven't heard a thousand instances before.
Number Two within the charts is a track called "Let's Go" by Calvin Harris. The "lyrics" of this tune, if one could call them lyrics, consist of nothing more than probably the most banal string of clichés. Let's go. I'm talking. It's what you're doing that matters. Let's make it happen. And that is about it. The singer is male. The voice has the identical immature whining quality of the singer on the Number One slot but with out the girlish charm. The melodic line, if it deserves such a title, could not possibly be more easy and https://laguaz.online/download/tanpa-suara shallow. The accompaniment include essentially the most basic rhythms and synthesized chords. Once more, there is nothing original or distinctive about this whatsoever.
At number three is a music called "We Are Young" by a bunch called "Fun". The title of the song and the name of the band in all probability inform you all that you must know about this particular masterpiece. The music is about a trivial incident in a bar. The (male) protagonist is making an attempt to apologize to his lover for something - the nature of his misdemeanour isn't made clear. The apology would not seem to be going too well. Meanwhile our hero's buddies are on the bathroom getting high on something or other. Interspersed with these sordid and trivial details there is a recurring refrain which asserts that "we" can burn brighter than the sun. Musically, nonetheless, this appears to be the strongest of the three. The melodic line is considerably richer and more diversified than that of the two songs above it within the charts. The refrain, with its pounding piano, its straightforward, if completely unoriginal, harmonies and its anthemic melodic line, ensures that the piece is a little more memorable than most such ephemeral products.
After all, I must qualify the above right away. Once I use the word "hypnosis" in this context I do not imply the type of passive and relaxed state which one experiences below the guidance of a hypnotherapist. What I'm referring to is simply the type of shift in the high quality of consciousness which occurs when you're absorbed in the music you want - whether you are gyrating on a dance floor, amid flashing lights and ear-splitting din, or sitting quietly mesmerised by a Chopin nocturne. I imagine that any such shift of consciousness renders us more suggestible.
I additionally must state the obvious. We aren't puppets or computers. No matter state of consciousness we occur to be in we do not reply instantly, absolutely and positively to every suggestion we encounter. And but, in hypnoidal states of consciousness, we're more suggestible than in "normal" waking consciousness. So - to restate the opening query, if music puts us right into a hypnoidal state, what are the probably consequences?
Once more, to state the obvious, it is dependent upon what kind of music you are listening to, and why. What kind of music do folks listen to as we speak? All sorts. There is an audience for jazz, people, classical, and so on. But - and I do know this is a sweeping generalization - nearly all of individuals, particularly youthful individuals, listen to what sells, to what's in fashion.
Absolutely everyone on Britain who lived by means of the 60s, 70s and 80s will keep in mind High of the Pops on television and Alan Freeman's chart countdown show on the radio. In these days, nearly everybody oknew - or at the very least had a tough thought - which tune was at Number One.
Are you aware which tune is at Number One at this moment? Me neither. However I believed I'd have a fast have a look at the Prime three as a sign of what a considerable proportion of the population, if not the bulk, are listening to on the moment. This would also give me some thought of what solutions are being communicated by way of music.
Well - I had a rummage around on-line and it appears that evidently at the time of writing - April 30th 2012 - the song at Number One is: "Call Me Maybe" by Carly Rae Jepsen. Each song and singer are unknown to me. The tune, with its accompanying video, was easy to seek out online.
The singer is a thin but pretty younger lady who appears to be like as if she is aged about 16 or 17. Presumably she is older. The tune tells a quite simple story. Our heroine throws a wish right into a well and, presumably as a consequence, falls in lust with someone wearing ripped jeans. The accompanying video makes it clear that this person is a young man. The lyrics say nothing about him. She offers him her phone number and asks him to call her. Original, isn't it? The singer's voice is, like her appearance, thin and immature, with that pale, adenoidal high quality which seems to be in fashion on the moment. The melodic line is of nursery-rhyme simplicity. The accompanying music consists largely of artificial string chords and percussion. There is nothing here that we haven't heard a thousand instances before.
Number Two within the charts is a track called "Let's Go" by Calvin Harris. The "lyrics" of this tune, if one could call them lyrics, consist of nothing more than probably the most banal string of clichés. Let's go. I'm talking. It's what you're doing that matters. Let's make it happen. And that is about it. The singer is male. The voice has the identical immature whining quality of the singer on the Number One slot but with out the girlish charm. The melodic line, if it deserves such a title, could not possibly be more easy and https://laguaz.online/download/tanpa-suara shallow. The accompaniment include essentially the most basic rhythms and synthesized chords. Once more, there is nothing original or distinctive about this whatsoever.
At number three is a music called "We Are Young" by a bunch called "Fun". The title of the song and the name of the band in all probability inform you all that you must know about this particular masterpiece. The music is about a trivial incident in a bar. The (male) protagonist is making an attempt to apologize to his lover for something - the nature of his misdemeanour isn't made clear. The apology would not seem to be going too well. Meanwhile our hero's buddies are on the bathroom getting high on something or other. Interspersed with these sordid and trivial details there is a recurring refrain which asserts that "we" can burn brighter than the sun. Musically, nonetheless, this appears to be the strongest of the three. The melodic line is considerably richer and more diversified than that of the two songs above it within the charts. The refrain, with its pounding piano, its straightforward, if completely unoriginal, harmonies and its anthemic melodic line, ensures that the piece is a little more memorable than most such ephemeral products.
